![]() ![]() The CyanView system is designed to give complete camera and lens control even on large sensor D-cinema cameras (Sony FX9, Canon C300III, Varicam,…) with the ability to integrate with a limitless number of cameras, to create a cinematic multicam workflow in a live broadcast environment. ![]() Iris via RIO on Tilta Nucleus (No lens motor)Ĭamera Control → You can find the command list on the Sony FX9 integration page Camera Position Iris via RIO on Tilta Nucleus (No B4 port) It is also interesting to look at the RAINS show where, in addition to these lenses, the setup included Canon EF zooms (with no B4 port) and some prime lenses for which the iris control where send to the RCP in the control rom via a CyanView RIO and a Tilta Nucleus mounted on the Sony FX9 cameras. A dedicated RCP was in the on-site control room while the camera was equipped with a RIO and a 4G dongle.Īll of the lenses used on the AMI show were Canon Cine Servo and Fujinon Cabrio zooms booth in PL mount. This setup is exactly the same used for remote production. – One FX9 was used for a beauty shot and was positioned at several kilometers of the set. – 1 RIO on a AGITO, a fully modular multi-terrain camera dolly system with 4g connexion which does work very well even on crowded events because only small data package are sent. – 1 RIO on a Steadycam with 4g connexion Planipresse has a wide range of cameras , either ENG or live-production configurable, DSLR and DSLM camera bodies, large sensor cameras, PTZ cameras and broadcast camcorders and offers multi-camera services flight-cased for quick and easy deployment to meet all kinds of shooting needs: concert videos, TV-shows, live events, conferences, etc… The Fashion Week The solution proposed by Cyanview for Cinematic Multicam Productions, such as concerts operas and in this use case fashion shows, offers a coherent workflow for shading of large sensors camcorders and controlling external lenses! Planipresseįor over 30 years now, PLANIPRESSE has provided both equipment and shooting services to the leading French TV networks, production companies and press and communications agencies. Even if their budgets are tighter than broadcast ones, the complexity of these productions is growing and they require workflows similar to broadcast productions. Typically, Cinematic Multicam Productions are using large sensors camcorders and a wide range of external motorized lenses, from expensive cine lenses to prime lenses with Tilta motors. They put less emphasis on workflow robustness as broadcast productions do for live events but they, off course, still want to produce high-end productions with great visuals. These productions are driven by the cinema world where customers are more demanding on image quality and creativity. For years, Cyanview proposes solutions for shading specialty cameras and integrating them in the main broadcast workflow and the Cyanview system is used on major sports events worldwide for these purposes.īeginning of 2022, Cyanview released an original solution dedicated to Cinematic Multicam Productions. ![]()
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